VARIAZIONI SUL NOVECENTO

VARIAZIONI SUL NOVECENTO

Francesco D’Orazio, violino
Ludovica Rana, violoncello
Liubov Gromoglasova, pianoforte

Un percorso attraverso il Novecento musicale, affidato a tre interpreti di primo piano della scena internazionale della musica da camera.

Un concerto che attraversa oltre un secolo di storia. Mettendo in dialogo linguaggi, sensibilità ed epoche differenti. Rivelando continuità e metamorfosi della scrittura cameristica tra tradizione e innovazione

PROGRAMMA

Leonard Bernstein (1918 – 1990)
Trio per violino, violoncello e pianoforte

Hans Werner Henze (1926 – 2012)
Adagio adagio

Johannes Brahms (1883 – 1897)
Trio op.8 in Si maggiore

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VARIATIONS ON THE TWIENTIETH CENTURY  

A journey through twentieth-century music, entrusted to three leading performers on the international chamber music scene.

A concert that spans more than a century of history, bringing into dialogue different languages, sensibilities, and eras, and revealing the continuity and metamorphosis of chamber writing between tradition and innovation.

The programme features Leonard Bernstein’s Trio, an early work from 1937 that reveals a composer already capable of combining the rigour of academic training with a distinctly American rhythmic energy, Hans Werner Henze’s introspective world with Adagio adagio, a work of rare serenity in which Henze’s contemporary language is stripped of all harshness to become pure, meditative song, and Johannes Brahms’ Trio op. 8, written by Brahms at just twenty years old and revised nearly forty years later, blending youthful ardour with the architectural wisdom of maturity, and perfectly embodying the Romantic ideal of balance between passion and form.